Quasicrystals: The Strange Order That Changed Crystallography

Gabrielle Birchak/ September 26, 2025/ Archive, Contemporary History, Modern History

Today, we’re explor­ing qua­sicrys­tals, what they are, how an “impos­si­ble” pat­tern was found in a lab, how it became the cat­a­lyst to rewrit­ing text­books, and why this exot­ic order mat­ters for real‑world tech­nolo­gies from wear‑resistant coat­ings to pho­ton­ics. I’m Gabrielle Bir­chak, and this is Math! Sci­ence! History!

Imag­ine hold­ing a met­al that seems to obey rules nature once for­bid. You shine an elec­tron beam through it and, on the detec­tor, a per­fect ring of ten bright dots appears, ten­fold sym­me­try, crisp and clean. For more than a cen­tu­ry, crys­tal­log­ra­phy said that sym­me­try was impos­si­ble in a crys­tal. And yet there it is, star­ing back at you. It is order with­out rep­e­ti­tion and a pat­tern that nev­er tiles by march­ing the same unit cell across space. This is a quasicrystal.

What Exactly Is a Quasicrystal?

By Jgmox­ness — Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=63160388

When most peo­ple think of crys­tals, they pic­ture some­thing like salt or quartz: neat, geo­met­ric, and order­ly. That’s because tra­di­tion­al crys­tals are built from tiny repeat­ing pat­terns, like per­fect­ly placed tiles on a bath­room floor. This repeat­ing unit, called a unit cell, fits togeth­er over and over in all direc­tions to fill space.

These crys­tals fol­low strict sym­me­try rules. So, imag­ine rotat­ing a snowflake. It still looks the same at every 60° angle. That is called six-fold sym­me­try. Salt crys­tals, for exam­ple, can have four-fold sym­me­try, and dia­monds fol­low a three-fold pat­tern. These reg­u­lar sym­me­tries leave a sig­na­ture when sci­en­tists shine X‑rays through them: they cre­ate sharp, clear pat­terns, much like a fin­ger­print of repetition.

Qua­sicrys­tals are dif­fer­ent. They are ordered but not peri­od­ic. Their atoms sit in a coor­di­nat­ed arrange­ment that exhibits long‑range order, yet the pat­tern nev­er repeats by sim­ple trans­la­tion. In rec­i­p­ro­cal space, qua­sicrys­tals still show sharp peaks, sig­na­tures of long‑range order, but those peaks arrange them­selves in “for­bid­den” sym­me­tries such as five-fold, eight-fold, ten-fold, or twelve-fold. Since I have Tay­lor Swift on the brain, I will give it a lit­er­ary per­spec­tive: peri­od­ic crys­tals repeat, but qua­sicrys­tals rhyme.

If you want a men­tal pic­ture, imag­ine a Pen­rose tiling, the famous kite‑and‑dart pat­tern that cov­ers a plane with no repeat­ing wall­pa­per motif, yet con­tains a hid­den, hier­ar­chi­cal order.

By Induc­tiveload — Own work, Pub­lic Domain, https://commons.wikimedia.org/w/index.php?curid=5839079

So, Pen­rose tiles were ground­break­ing because they revealed two key ideas. First, non‑repeating order is pos­si­ble. Sec­ond, the gold­en ratio appears again and again in the spac­ings of motifs. But, with qua­sicrys­tal struc­tures, the dis­tances between atom­ic clus­ters often occur in φ‑related ratios.

So, what is a φ‑related ratio and what is φ (Phi)?

Well, phi is a greek let­ter, that looks like a low­er-case O with a line through it, like a back­ward fac­ing p stuck to a for­ward fac­ing p. It’s val­ue is about 1.618.

Math­e­mat­i­cal­ly, φ is defined as:

It has the unique prop­er­ty that:

Where a > b and the seg­ments a and b form what is called the gold­en ratio.

Here’s an audio anal­o­gy. Clap every two beats with one hand and every three beats with the oth­er. The com­pos­ite rhythm nev­er exact­ly repeats, but it isn’t ran­dom, it’s struc­tured. Qua­sicrys­tals are like that, except the “beats” are vec­tors in space and the inter­fer­ence cre­ates a tapes­try of order that nev­er loops.

Anoth­er impor­tant point of qua­sicrys­tals is that they are def­i­n­i­tion­al. The Inter­na­tion­al Union of Crys­tal­log­ra­phy even­tu­al­ly reframed the term crys­tal to empha­size dif­frac­tion, stat­ing that a crys­tal is any sol­id that yields an essen­tial­ly dis­crete dif­frac­tion pat­tern. That moves us away from “must have a unit cell” and toward “must exhib­it long‑range order,” which is a def­i­n­i­tion qua­sicrys­tals sat­is­fy per­fect­ly. So, instead of insist­ing that a mate­r­i­al must repeat the same tiny build­ing block over and over, like tiles that all match, sci­en­tists began to focus on some­thing broad­er. They focused on mate­r­i­al that has an over­all struc­ture that stays con­sis­tent across large dis­tances. That’s what we call long-range order.

And while qua­sicrys­tals don’t repeat like nor­mal crys­tals, they still have this deep, ele­gant order, just with­out the strict rep­e­ti­tion. In fact, qua­sicrys­tals are a per­fect exam­ple of long-range order with­out peri­od­ic­i­ty. So, they don’t have that spa­tial rep­e­ti­tion that we would see in reg­u­lar crys­tals like salt or quartz where the atoms repeat in a very strict grid like pat­tern. That in reg­u­lar crys­tals is called peri­od­ic spa­tial order. In qua­sicrys­tals, atoms are arranged in a way that is ordered but it does­n’t repeat. They still fol­low the math­e­mat­i­cal rules and exhib­it long range order, but you won’t find repeat­ing tiles for a repeat­ing unit cell.

The Discovery That Should Not Have Happened

It was a spring morn­ing in 1982.

In a qui­et lab at the Nation­al Bureau of Stan­dards in Mary­land, now known as Nation­al Insti­tute of Stan­dards and Tech­nol­o­gy, mate­ri­als sci­en­tist Dan Shecht­man was alone at his elec­tron micro­scope, ana­lyz­ing a rapid­ly cooled aluminum–manganese alloy. He wasn’t expect­ing a rev­o­lu­tion. He was study­ing alloys like he had count­less times before. Rou­tine. Repet­i­tive. Predictable.

But what he saw next changed everything.

The dif­frac­tion pat­tern star­ing back at him showed ten­fold rota­tion­al sym­me­try, like a decagon etched in atom­ic light. That was impos­si­ble. Accord­ing to the study of crys­tal­log­ra­phy, you sim­ply couldn’t have a crys­tal with ten­fold sym­me­try. The laws were clear: only 2‑fold, 3‑fold, 4‑fold, and 6‑fold sym­me­tries were allowed. Any­thing else? Forbidden.

Shecht­man blinked. Recal­i­brat­ed. Took anoth­er look. Still there.

He scrib­bled in his notebook:

“10-fold???”

Was it an error? A twinned crys­tal play­ing tricks? He checked again. And again. The pat­tern held.

In a 2011 inter­view, he told the sto­ry of how his col­leagues react­ed to his dis­cov­ery. When Shecht­man shared the data with col­leagues, the response wasn’t cel­e­bra­tion, it was dis­be­lief. One col­league report­ed­ly said, “Go read the text­book.” Anoth­er insist­ed he was wrong. Final­ly, his group leader told him, “Dan­ny, you are a dis­grace to my group and I want you to leave my group, I don’t want to be asso­ci­at­ed with this.” And so Dr. Schec­th­man was removed from his research group. I will post the link to the inter­view on the Math! Sci­ence! His­to­ry! web­site. It’s an inter­est­ing read because doc­tor schecht­man does­n’t take it too per­son­al­ly. He says it was­n’t trau­mat­ic peri­od he said the recep­tion was every­thing between encour­age­ment and rejec­tion. But when he was removed, though he didn’t feel good about it, he states he just became a sci­en­tif­ic orphan and then found anoth­er group leader who would adopt him.

Still the vit­ri­ol con­tin­ued even, from noneother than Linus Paul­ing. Paul­ing at a con­fer­ence announced that “Dan­ny Shecht­man is talk­ing non­sense, there are no qua­si-crys­tals, just quasi-scientists.”

But Shecht­man per­se­vered. And he kept doing his research. He ignored the crit­ics. He stood his ground. Qui­et­ly, method­i­cal­ly, he gath­ered more evi­dence. And two years lat­er, in 1984, he pub­lished a paper with col­leagues Ilan Blech, Denis Gra­tias, and John W. Cahn in Phys­i­cal Review Let­ters. The title: “Metal­lic Phase with Long-Range Ori­en­ta­tion­al Order and No Trans­la­tion­al Symmetry.”

This paper defined a quasicrystal.

By Hol­ger Motzkau, Wikipedia/Wikimedia Com­mons (cc-by-sa‑3.0), CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17637155

It took years for the com­mu­ni­ty to accept the idea. But even­tu­al­ly, it did, and in 2011, Dan Shecht­man received the Nobel Prize in Chem­istry for dis­cov­er­ing a new form of sol­id mat­ter. It was an acknowl­edge­ment that qua­sicrys­tals had not only widened the map of crys­tal­log­ra­phy but also reshaped their borders.

How “Impossible” Symmetries Became Thinkable

Dan Shechtman’s dis­cov­ery in 1982 may have been the spark, but the kin­dling for that fire had been gath­er­ing for centuries.

Let’s trav­el back to the ear­ly 1600s. The great astronomer and math­e­mati­cian Johannes Kepler was obsessed with pat­terns in nature. He mar­veled at five-point­ed stars and the geom­e­try of reg­u­lar solids. He sketched intri­cate tilings with pen­tagons, ele­gant, mes­mer­iz­ing, but nev­er quite able to fit togeth­er per­fect­ly with­out gaps. It was beau­ti­ful! But it was for­bid­den in the lan­guage of peri­od­ic repetition.

So, now when we fast for­ward to the twen­ti­eth cen­tu­ry, the crys­tal­lo­graph­ic restric­tion the­o­rem had become gospel: only cer­tain sym­me­tries, twofold, three­fold, four­fold, or six­fold, were allowed in a crys­tal that repeat­ed in space. Five­fold was con­sid­ered impos­si­ble. And as for icosa­he­dral sym­me­try, like you’d find in a soc­cer ball or a virus shell? That couldn’t fill space with a repeat­ing unit cell either.

But then in the 1970s, Math­e­mat­i­cal Physi­cist Roger Pen­rose intro­duced some­thing rad­i­cal. He intro­duced tilings that nev­er repeat­ed, yet still had struc­ture. His “ape­ri­od­ic tilings” looked chaot­ic at first glance, but they fol­lowed strict rules, like a melody that nev­er loops but always har­mo­nizes. Soon after that, physi­cist Alan Mack­ay ran a sim­u­la­tion of X‑ray dif­frac­tion on a Pen­rose tiling, and he found sharp dif­frac­tion spots with five­fold sym­me­try. Clear evi­dence of order, with­out repetition.

So, by the time Shecht­man saw that for­bid­den ten­fold pat­tern in a rapid­ly cooled aluminum–manganese alloy, the ground­work had already been qui­et­ly laid. Some the­o­rists scram­bled to explain it. Some looked beyond our three dimen­sions, propos­ing qua­si­peri­od­ic­i­ty, pat­terns that come from slic­ing through a high­er-dimen­sion­al crys­tal and pro­ject­ing the points into our world, like cast­ing a shad­ow of a four-dimen­sion­al object.

What had once been math­e­mat­i­cal mus­ings and “impos­si­ble” geome­tries were sud­den­ly star­ing back through the micro­scope, not as abstract art, but as reality.

Nature’s Plot Twist: Natural and Shock‑Made Quasicrystals

For a while it seemed qua­sicrys­tals were lab‑born odd­i­ties, frag­ile phas­es coaxed into exis­tence by rapid quench­ing. Then in 2009, researchers report­ed nat­ur­al icosa­he­dral and decago­nal qua­sicrys­tals in micro­scop­ic grains from a mete­orite col­lect­ed in Chukot­ka in the Russ­ian Far East. Their com­po­si­tions, Aluminum–Copper–Iron, matched known lab phas­es, and the dif­frac­tion pat­terns were unmis­tak­able. The impli­ca­tion: the extreme con­di­tions of space, shock, high pres­sure, rapid cool­ing, can dri­ve mat­ter into qua­si­peri­od­ic order.

Shock can also come from human tech­nol­o­gy. Qua­sicrys­tals weren’t just found in a lab, they also showed up in one of the most vio­lent human exper­i­ments in his­to­ry. When sci­en­tists lat­er exam­ined the glassy debris left behind by the very first nuclear bomb test in the mid-twen­ti­eth cen­tu­ry, they dis­cov­ered tiny qua­sicrys­tals hid­den inside. The blast had melt­ed and then instant­ly cooled the sur­round­ing sand and met­al, and in that split sec­ond of extreme heat and rapid cool­ing, qua­sicrys­tals formed.

That dis­cov­ery proved some­thing remark­able: qua­sicrys­tals aren’t nec­es­sar­i­ly frag­ile lab cre­ations. They can emerge even in the most chaot­ic envi­ron­ments. From that point on, qua­sicrys­tals were no longer dis­missed as man-made odd­i­ties, they earned their place as gen­uine mem­bers of nature’s own library of materials.

And even though qua­si crys­tals were now cement­ed into real­i­ty, there were still many myths and mis­con­cep­tions that sur­round­ed this dis­cov­ery. Some peo­ple stat­ed that qua­si crys­tals are just dis­or­dered crys­tals. But they are not. The sharp Bragg peaks Mean that there is long range order. The order is qua­si peri­od­ic, not ran­dom. Fur­ther­more sci­en­tists believe that this for­bid­den sym­me­try broke the rules. But it did­n’t. It revised our def­i­n­i­tion. Once we defined the crys­tals by dif­frac­tion rather than by trans­la­tion­al peri­od­ic­i­ty, these five‑, eight‑, ten‑, and twelve‑fold sym­me­tries became legit­i­mate. Many mate­r­i­al sci­en­tists believed they were too brit­tle to use. How­ev­er, bulk brit­tle­ness is real but coat­ings, com­pos­ites, approx­i­mates, and pat­terned meta­ma­te­ri­als are already practical.

What Quasicrystals Feel Like

If you han­dle qua­sicrys­talline mate­ri­als (most often as coat­ings or fine‑grained com­pos­ites), a dis­tinc­tive engi­neer­ing pro­file emerges.

Qua­sicrys­tals pos­sess a unique set of prop­er­ties that make them stand out from ordi­nary met­als and alloys. Their com­plex atom­ic tilings give them excep­tion­al hard­ness and wear resis­tance, because the struc­ture pre­vents dis­lo­ca­tions from mov­ing eas­i­ly and sup­press­es plas­tic defor­ma­tion. As a result, qua­sicrys­tals per­form superbly as thin pro­tec­tive wear lay­ers. They also exhib­it low fric­tion and low sur­face ener­gy, their sur­faces resist wet­ting by molten met­als, oils, and even some adhe­sives, which is why tri­bol­o­gy tests often show them slid­ing with unusu­al­ly low fric­tion. In addi­tion, alu­minum-rich qua­sicrys­tals offer excel­lent cor­ro­sion resis­tance by form­ing sta­ble oxide skins that pro­tect the met­al beneath, a fea­ture espe­cial­ly valu­able when applied to steel or alu­minum. Unlike most met­als, qua­sicrys­tals also show low ther­mal and elec­tri­cal con­duc­tiv­i­ty, which makes them use­ful as ther­mal bar­ri­ers or for reduc­ing eddy cur­rents. Admit­ted­ly, bulk qua­sicrys­tals can be brit­tle at room tem­per­a­ture, but this draw­back is often mit­i­gat­ed by design: large “approx­i­mant” crys­tals can be tougher, and com­pos­ites that embed qua­sicrys­talline par­ti­cles in more duc­tile matri­ces can achieve prac­ti­cal dura­bil­i­ty. Final­ly, their unusu­al pha­son effects, sub­tle atom­ic rearrange­ments unique to qua­si­peri­od­ic order, mean that care­ful pro­cess­ing, such as anneal­ing to reduce pha­son strain, can sig­nif­i­cant­ly sharp­en their mechan­i­cal and cor­ro­sion performance.

From Processing to Metamaterials: What Quasicrystals Are Good For Today

In the ear­ly days, qua­sicrys­tals were tricky to cre­ate. Sci­en­tists had to cool down molten met­al extreme­ly fast, so fast that the atoms couldn’t arrange them­selves into the usu­al repeat­ing crys­tal pat­terns. Instead, they “froze” into the unusu­al, almost-but-not-quite reg­u­lar pat­terns we call qua­sicrys­tals. Lat­er, researchers learned that by care­ful­ly reheat­ing these mate­ri­als, a process called anneal­ing, they could turn unsta­ble forms into more sta­ble qua­sicrys­tals or relat­ed struc­tures. This also helped smooth out flaws and release inter­nal stresses.

Today, sci­en­tists have new ways to work with qua­sicrys­tals. Instead of just cast­ing met­als, they can make fine met­al pow­ders and press or fuse them togeth­er using spe­cial high-heat meth­ods. Even though sol­id blocks of qua­sicrys­tals are still brit­tle, this pow­der approach lets engi­neers mix tiny qua­sicrys­tal par­ti­cles into stronger mate­ri­als, giv­ing them use­ful tough­ness. At the same time, tech­niques like ther­mal spray­ing, vapor coat­ing, and even 3D print­ing can spread thin lay­ers of qua­sicrys­tals onto sur­faces. That means qua­sicrys­tal coat­ings can now pro­tect tools, valves, or pump parts, any­where you need extra dura­bil­i­ty, resis­tance to cor­ro­sion, or strength in high heat.

With these pro­cess­ing advances, qua­sicrys­tals have moved from chalk­boards to shop floors, and even into the realm of meta­ma­te­ri­als. Their low sur­face ener­gy and high hard­ness make them ide­al for wear- and cor­ro­sion-resis­tant coat­ings that reduce fric­tion, com­bat galling, and extend the life of indus­tri­al com­po­nents. Their abil­i­ty to stay non-stick at high tem­per­a­tures has led to spe­cial­ized appli­ca­tions in bake­ware, release sur­faces, and molds where con­ven­tion­al flu­o­ropoly­mers would degrade.

Qua­sicrys­tals don’t just look unusu­al, they also behave in unusu­al ways. Their sur­faces can act a bit like built-in cat­a­lysts, help­ing cer­tain chem­i­cal reac­tions run more smooth­ly and with less wear. Some qua­sicrys­tals even “play well” with hydro­gen, which makes sci­en­tists curi­ous about whether they could be used in the future for things like puri­fy­ing gas­es or build­ing bet­ter mem­branes. And because qua­sicrys­tals don’t car­ry heat very well, they’re being stud­ied as mate­ri­als for things like heat-resis­tant coat­ings and ener­gy devices that turn waste heat into electricity.

Qua­sicrys­tals have even inspired engi­neers to cre­ate spe­cial pat­terned mate­ri­als that can shape light and sound in sur­pris­ing ways. Imag­ine print­ing a design based on qua­sicrys­tal geom­e­try into glass or plas­tic, sud­den­ly you can bend, scat­ter, or block light in ways that ordi­nary mate­ri­als can’t. For optics, that means clear­er images in tele­scopes and micro­scopes, where tiny dis­tor­tions can blur what you see. It also means bet­ter per­for­mance in every­day eye­glass­es or cam­era lens­es, where qua­sicrys­tal-inspired coat­ings can reduce glare and con­trol how light pass­es through. These same pat­terns can even scat­ter sound more even­ly, which is use­ful in tech­nolo­gies like ultra­sound imag­ing or noise reduction.

Qua­sicrys­tals aren’t just about met­als and coat­ings, they can also shape sound. “Acoustic qua­sicrys­tals” guide sound waves more smooth­ly, which makes them use­ful for things like clear­er imag­ing devices or con­trol­ling unwant­ed noise. In mechan­ics, engi­neers are even 3D-print­ing qua­sicrys­tal-inspired pat­terns into met­als and plas­tics. These unusu­al struc­tures spread out stress in sur­pris­ing ways, help­ing to stop cracks from grow­ing. That means we can design lighter crash-absorb­ing mate­ri­als for cars or even med­ical implants that mim­ic the nat­ur­al stiff­ness of bone.

In short, the abil­i­ty to process qua­sicrys­tals into meta­ma­te­ri­als has turned them from frag­ile lab­o­ra­to­ry curiosi­ties into ver­sa­tile, high-per­for­mance tools, mate­ri­als that not only with­stand harsh envi­ron­ments but also shape light, sound, heat, and stress in ways that con­ven­tion­al crys­tals nev­er could.

Dan Shechtman’s sto­ry is more than a tale about an unusu­al pat­tern of atoms, it is a les­son in sci­en­tif­ic courage. He faced ridicule, iso­la­tion, and even expul­sion from his research group, yet he trust­ed the evi­dence before his eyes. Decades lat­er, the world val­i­dat­ed his per­se­ver­ance with the high­est hon­or in sci­ence: the Nobel Prize in Chem­istry. His jour­ney reminds us that dis­cov­ery often begins at the edge of what oth­ers say is impos­si­ble. No doubt, sci­ence changes and sci­ence advances when some­one is stub­born about the truth.

Today, the “for­bid­den” sym­me­tries that once got him laughed out of the lab are help­ing us build the future. Qua­sicrys­tals are find­ing their way into durable coat­ings, clean­er cat­a­lysts, hydro­gen tech­nolo­gies, heat bar­ri­ers, optics, acoustics, and even light­weight struc­tures that mim­ic the resilience of bone. From the lens of a tele­scope to the sur­face of a jet engine, qua­sicrys­tals are no longer curiosi­ties, they are tools.

So when we think of Shecht­man peer­ing into his micro­scope on that spring morn­ing in 1982, see­ing ten­fold sym­me­try sparkle where none should exist, we are remind­ed of the pow­er of per­sis­tence. Because some­times, it takes one per­son refus­ing to look away from the evi­dence to reveal an entire­ly new order in nature, and open doors to inno­va­tions that can shape our world for gen­er­a­tions to come.

Sci­ence is a liv­ing lan­guage. We refine our def­i­n­i­tions as our mea­sure­ments teach us new gram­mar. Qua­sicrys­tals remind us that nature doesn’t read our text­books. When a ten­fold pat­tern appeared on a screen in a small lab, it asked a sim­ple ques­tion: will you trust your eyes?

Thank you for lis­ten­ing to Math! Sci­ence! His­to­ry! Until next time carpe diem!

Further Reading

Bin­di, Luca, Paul J. Stein­hardt, Nan Yao, and Peter J. Lu. 2009. “Nat­ur­al Qua­sicrys­tals.” Sci­ence 324 (5932): 1306–1309. https://doi.org/10.1126/science.1170827.

Dubois, Jean‑Marie. 2012. “Properties–Applications of Qua­sicrys­tals: Cur­rent Sta­tus and Future Direc­tions.” Chem­i­cal Soci­ety Reviews 41 (22): 6760–6777. https://doi.org/10.1039/C2CS35109A.

Jan­ot, Chris­t­ian. 1997. Qua­sicrys­tals: A Primer. 2nd ed. Oxford: Oxford Uni­ver­si­ty Press.

Mack­ay, Alan L. 1982. “Crys­tal­log­ra­phy and the Pen­rose Pat­tern.” Phys­i­ca A: Sta­tis­ti­cal Mechan­ics and Its Appli­ca­tions 114 (1–3): 609–613. https://doi.org/10.1016/0378–4371(82)90292–7.

Senechal, Mar­jorie. 1995. Qua­sicrys­tals and Geom­e­try. Cam­bridge: Cam­bridge Uni­ver­si­ty Press.

Shecht­man, Dan, Ilan Blech, Denis Gra­tias, and John W. Cahn. 1984. “Metal­lic Phase with Long‑Range Ori­en­ta­tion­al Order and No Trans­la­tion­al Sym­me­try.” Phys­i­cal Review Let­ters 53 (20): 1951–1953. https://doi.org/10.1103/PhysRevLett.53.1951.

Stein­hardt, Paul J. 2019. The Sec­ond Kind of Impos­si­ble: The Extra­or­di­nary Quest for a New Form of Mat­ter. New York: Simon & Schuster.

Tsai, An Pang. 2003. “Icosa­he­dral Clus­ter and Qua­sicrys­tals.” Accounts of Chem­i­cal Research 36 (1): 31–38. https://doi.org/10.1021/ar0200156.

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