My eponymic contribution to Sexagesimal math
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Last month, as I covered a great deal of material on Tesla, I found a cool multiplication circle called Tesla’s Multiplication Map. This multiplication map is a spiral of numbers, with its innermost numbers representing a clock’s layout. Then, the next number outside of that first inner circle begins with 13, spiraling around. Eventually, you have a large spiral of numbers that can go as high as you want, as long as each spiral of numbers is a multiple of 12.
The beautiful thing about this spiral is that you can draw different shapes when you connect the numbers based on multiples of 2, 3, 4, 5, 6, and on and on. What is also fantastic about this spiral is that it uniquely teaches multiplication so that students can have an artistic visual of multiplication.
I wanted to try it for myself, so I made my own multiplication map building a spiral up the value of 60. Then I drew out several shapes connecting numbers divisible by 2, 3, 4, 5, and 6. Each value gave me a different design.
A teacher in Arizona by the name of Joey Grether attributed this map to Tesla. Grether intentionally named it Tesla’s Multiplication Map because the name Grether’s Multiplication Map could not seem to gain traction. He designed it to look like an old document and titled it “N. Tesla – Map to Multiplication.” Then Grether fabricated a story that a local artist by the name of Abe Zucca found it at an antique shop in Phoenix. According to Grether’s story, Zucca shared it with Grether, who “had a few breakthroughs,” stating that the map “offers a comprehensive visual understanding of how all numbers are self-organized into 12 positions of compositability.”[i]
This misattribution is called an eponymy. Eponymy is a theory or an idea is named after the wrong person, which is usually the person with the most notoriety. In Grether’s case, he intentionally named it after Tesla to gain internet traction for this map. Eponymy comes from the evidence that shows how celebrated scientists get more credit than unknown researchers do. American sociologist Robert Merton called this the Matthew effect, which he referenced from the Bible verse Matthew 25:29, which states, “For whoever has will be given more, and they will have an abundance. Whoever does not have, even what they have will be taken from them.”
The correlation between eponymy and Merton’s Matthew Effect are referenced in Stigler’s Law of Eponymy. Dr. Stephen Stigler named Merton as the discoverer of “Stigler’s Law of Eponymy” in his paper of the same name published in 1980. This paper was a tribute to Merton from Stigler when Merton retired in 1979. His paper’s title was a clever joke on Stigler’s behalf based on Merton’s theory.
The female term of the Matthew effect is called the Matilda effect. However, the name Matilda Effect did not come from a bible verse. Instead, the Matilda Effect was named after Matilda Joslyn Gage, who was born in 1826 and was a suffragist, and activist, and organizer of the Women’s National Liberal Union. For my long time listeners, you might recall my October 2019 podcast on the Matilda Effect, which provided a large list of female scientists that prestigious organizations intentionally overlooked. One such scientist includes Dr. Vera Rubin, whose work on dark matter earned Dr. James Peebles the Nobel Prize in Physics.
Another noted female scientist includes Dr. Marie Curie. She won her first Nobel in 1903, but only after her husband, Pierre, advised the Nobel committee that Marie had a significant role in her discoveries of radioactivity.
Then there was Dr. Rosalind Franklin, a British biologist and DNA Pioneer. Though she discovered the structure of DNA. she never won the Nobel for her work. Instead, the male members of her team won the Nobel in Physiology or Medicine.
In ancient history, one of the first known misattributions comes from 300 CE when the mathematician Pappus referenced another mathematician by the name of Pandrosion. Historical writers had identified Pandrosion as a man. However, Pandrosion was one of the first known female math professors.
Other earlier known forms of eponymy include the Fibonacci sequence, which is 1,1,2,3,5,8,13,21,34,55, and on and on. This sequence is a set of numbers first attributed to Fibonacci by the mathematician Édouard Lucas in the late 1800s. Lucas noted that each new number is equal to the sum of the previous two numbers. However, this sequence was first presented in 200 BCE by an ancient Indian author Acharya Pingala.[ii]
Then we have the Hasse diagram, which is a mathematical diagram used to represent a finite partially ordered set. This diagram is a two- or three-dimensional object, where a point connects each line. Each of those points represents an element in the set that is partially ordered. These diagrams are attributed to Helmut Hasse. However, the mathematician Henri Gustav Vogt first used these diagrams three years before Hasse was even born.[iii]
Then we have Newton’s first law of mechanics, which states, “A particle in motion will continue to move in the straight line, at a constant speed, unless that particle is acted upon by an external force.” He published this first law, among other laws, in his work Mathematical Principals of Natural Philosophy in 1687. However, Newton’s First Law of Motion is also known as Galileo’s Law of Inertia. Many decades earlier, Galileo figured out that a body of motion will remain in motion unless something like friction will cause it to rest.
Another eponymy includes the Bilinski dodecahedron, which is a 12-sided complex polyhedron with congruent rhombic faces. The Bilinski dodecahedron was named after Stanko Bilinski, a Croatian mathematician who rediscovered it in 1960.[iv] However, in 1752, John Lodge Cowley, a cartographer, geologist, and mathematician, originally presented this particular 12-sided complex polyhedron in his book Geometry Made Easy.
Finally, we have the Pythagorean Theorem, which is attributed to the Greek philosopher Pythagoras. The Babylonians had been using this theorem 1,300 years before Pythagoras was even born. The Babylonians knew that the square of the hypotenuse is equal to the sum of the squares of the two sides. Additionally, other cultures used this theorem as well.
The Plimpton-322, from 1800 BCE, is a clay tablet with numbers etched into four columns and fifteen rows. What may look like a random set of Semitic cuneiform etches is really a list of numbers representing Pythagorean triples, which are a list of numbers that represent the length, width, and diameter of a right triangle. When deduced, all these values show that the square of the hypotenuse is equal to the sums of the squares of each side. This has some of the oldest evidence of their use of base 60.
I think it is fascinating that the multiplication map, the spiral, uses foundations in Babylonian mathematics and uses components of base 60.
That is why I built my Instagram multiplication map up to the value of 60 and a printout for you up to the value of 120, which is 2 times 60. For those who have not heard my previous podcast where I talked about base 60, base 60 is a sexagesimal numeral system. What that means is that instead of using ten as a base for all mathematics, early mathematicians used 60. For us today, we break down our numbers based on units of 10. We learn in elementary school how to count to 10 using our fingers. When we do addition, we add in base 10 carrying the values over once we exceed 10.
However, in ancient Babylon, when they added in base 60, they carried the values over when they exceeded 60. Conducting math in base 60 lasted for hundreds of years, into the seventh century of our current era. It may seem like this value of 60 is hard to comprehend because it is such a large number, but they managed to make it work.
The Sumerians and Babylonians also counted to 60 on their fingers. Looking at your right-hand pointer finger, you will see that your finger has three segments between each joint. Each of those segments on the finger is called a phalange. When you use your thumb to touch each phalange on your right hand, starting with your pointer finger, you will be able to count up to 12. Now, as we continue to count, we use the left-hand digits to count for every value of 12. When we do this, we count to 12 five times, which equals 60.
As for the attribution to Tesla for the multiplication map, I think that Grether should have gone further back to 2000 BCE to those who first did math in base 60: the Sumerians. Base 60 has been around for over four thousand years. Even in the fourth century BCE, the other cultures worldwide, including the Ekari people of Indonesia, used base 60. However, base 60 has significant value in our current mathematics. It is the heart and soul of mathematics. Base 60 is still used today to measure geographic coordinates, determine the time on our clocks, and study angles in geometry and trigonometry. When we fall into a deep sleep, our hearts beat at about 60 beats per minute. And, in a study done at Ruhr University Bochum, cardiologists found that music that plays at 60 beats per minute, like Mozart’s Symphony No 40 in g minor, reduces stress and increases your relaxation, which helps you to study and retain information.[v]
So, I have decided to re-attribute the name of Tesla’s Multiplication Map to the Sumerian Sexagesimal Spiral. It is official because the evidence of its use of base 60 is irrefutable. And it is official because I am the last person to name it so. So, thank you Dr. Stigler for the idea! This is my eponymic contribution to the world of math, science, and history!
[i] “The Mystery of The Tesla Hoax,” Conquer Maths, last modified January 18, 2017, https://www.conquermaths.com/news/post/index/395/The-Mystery-of-The-Tesla-Hoax.
[ii] Parmanand Singh, The so-called fibonacci numbers in ancient and medieval India, Historia Mathematica, Volume 12, Issue 3, 1985, Pages 229–244
[iii] Dhananjay Gopal et al., An Introduction to Metric Spaces (Boca Raton: CRC Press, 2020), 51.
[iv] Stanko Bilinski, Über die Rhombenisoeder, Periodicum Mathematico-Physicum et Astronomicum 15 (n.d.), 251–263.
[v] Hans-Joachim Trappe and Gabriele Voit, The Cardiovascular Effect of Musical Genres: A Randomized Controlled Study on the Effect of Compositions by W. A. Mozart, J. Strauss, and ABBA, PubMed Central (PMC), last modified May 20, 2016.